Review: My Fair Lady Shines at The Teatro Montecasino

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When the lights dimmed at The Teatro Montecasino on January 26th, 2025, an unmistakable buzz filled the air. My Fair Lady, presented by Pieter Toerien Productions and Cape Town Opera, was about to begin its Johannesburg run. Directed by the masterful Steven Stead and featuring an ensemble cast of 34, this production was a spectacle of artistry, emotion, and unforgettable performances. It’s no exaggeration to say that this show is an exceptional way to begin the year—a theatrical feast that had the crowd cheering and clapping throughout.

The Emotional Journey of Eliza Doolittle

The heart of My Fair Lady lies in the transformation of Eliza Doolittle, and Leah Mari’s portrayal of Eliza in this production was nothing short of revelatory. Her journey from a humble flower seller to a poised member of high society was rendered with such emotional depth that it left me spellbound. Mari’s dazzling Cockney accent, coached to perfection by Claire Berlein, lent authenticity to her character. Her voice—an opera-trained instrument of beauty and power—conveyed every nuance of Eliza’s struggles and triumphs. When Mari sang “I Could Have Danced All Night,” the audience erupted into spontaneous applause, a testament to her ability to captivate.

Craig Urbani, as Henry Higgins, brought a fresh, nuanced approach to the character. Rather than relying solely on the pomp and bombast often associated with Higgins, Urbani added layers of vulnerability and charm. The chemistry between Urbani and Mari was palpable, their dynamic evolving into an intricate dance of wills that was utterly convincing. The second act, in particular, showcased their remarkable interplay, with Eliza standing her ground and embracing her newfound identity. Their performances imbued the story with a resonance that felt both timeless and timely, especially in light of modern conversations about power dynamics and gender.

Visual Grandeur and Seamless Transitions

Greg King’s lavish set design transported the audience seamlessly between Covent Garden, Higgins’ grand study, Mrs Higgins’ elegant home, and the opulent world of Ascot. The physical transitions between these locales were executed with a visceral energy that mirrored Eliza’s journey of displacement and transformation. The set for Mrs Higgins’ home, in particular, was a standout, embodying both sophistication and warmth.

Denis Hutchinson’s lighting design played a pivotal role in elevating the production’s visual storytelling. From the warm hues of Covent Garden to the stark brilliance of Ascot, the lighting underscored the emotional beats of the narrative with precision. Meanwhile, Maritha Visage’s meticulous coordination of period costumes added an extra layer of authenticity, immersing us in Edwardian London.

Choreography That Surprised and Delighted

Duane Alexander’s choreography was a revelation. My Fair Lady isn’t a production typically associated with innovative dance, but Alexander’s work brought a new vitality to the musical numbers. The scene “I’m Getting Married in the Morning” was an unforgettable showstopper, blending acrobatics, athleticism, and sheer joy. Mark Richardson, as Doolittle, delivered a performance that had the crowd roaring with laughter and admiration. The thunderous applause—which lasted a full 60 seconds during this number—was proof of the audience’s delight.

A Cast That Shines

The supporting cast was equally remarkable. Graham Hopkins brought a warm charm to Colonel Pickering, while Sandi Dlangalala’s portrayal of Freddy Eynsford-Hill was brimming with earnestness. Namhla Tshuka (Mrs Eynsford-Hill) and Megan Spencer (Mrs Pearce) added depth and vitality to their roles, each leaving a distinct impression. Adrienne Pearce, as Mrs Higgins, delivered a performance that was both witty and elegant, offering moments of levity that balanced the drama.

The ensemble cast’s energy and cohesion were evident throughout the performance. Even those who were not trained dancers moved with grace and precision, showcasing the attention to detail that permeates every aspect of this production.

Musical Excellence

Under the musical direction of Kevin Kraak, the 12-piece orchestra brought Lerner and Loewe’s iconic score to life with vigour and finesse. The music was both vibrant and emotive, perfectly complementing the on-stage action. Each note seemed to echo the emotional landscape of the story, drawing the audience further into the world of My Fair Lady.

A Masterpiece for the Ages

As the final curtain fell and the cast took their bows, the audience erupted into a standing ovation. The applause was loud, heartfelt, and well-deserved. This production of My Fair Lady is not merely a retelling of a classic; it is a reimagining that honours the original while breathing new life into its characters and themes. With its stellar performances, breathtaking visuals, and impeccable direction, this show is an unmissable highlight of Johannesburg’s theatre calendar.

Whether you are a lifelong fan of My Fair Lady or a newcomer to its charms, this production is bound to leave a lasting impression. It’s a celebration of transformation, resilience, and the power of self-discovery—a masterpiece that sets a high bar for 2025. Don’t miss your chance to experience it at The Teatro Montecasino. Book your tickets now on Webtickets, and prepare to be enchanted.